Skip to content

Capote doesn't disappoint

I think I'm starting to like this trend. Since Ray it seems we've had an explosion of biographical films showcasing the lifestyles of the famous and dead. I think the trick to these things is going in not knowing anything about the people.

I think I'm starting to like this trend. Since Ray it seems we've had an explosion of biographical films showcasing the lifestyles of the famous and dead.

I think the trick to these things is going in not knowing anything about the people. Probably because it's always more fascinating when you're learning something new. So it was with blank canvas I took in the latest docu-ography about Truman Capote.

Now, having seen the film I know he was a brilliant, alcoholic, fa-laming flamboyant writer with a photographic memory. This particular film chose to focus on his life during his research for his best-known work In Cold Blood.

It's 1959 and Capote, writing for the New Yorker, decides to follow the grizzly murder of an upstanding small town family. Once digging, he finds enough material for what he believes will be his greatest work. This involves having a nutty, manipulative relationship with one of the murderers.

Starting off, there appears to be a common bond, but soon Capote is in a pickle from him helping their case while at the same time needing the closure that only an execution can bring.

As for Hoffman's portrayal of the legend: there are some names you can simply trust when looking for film that will make you go "whoa". Philip Seymour Hoffman is just such a name and he doesn't disappoint with a haunting portrayal of a character intensely over the top in mannerisms and self-involvement.

push icon
Be the first to read breaking stories. Enable push notifications on your device. Disable anytime.
No thanks